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Monologues

Girls
Boys

Pride and Prejudice

Emily Webb

Clueless

Hairspray

Devil/Prada

The Wizard
of Oz

The Wizard of Oz-
Dorothy

Jasmine

Mean Girls

The Simpsons
Marge

Tangled

Little Women

Mean Girls

Legally Blonde

HSM 2

Titanic

the Grinch

Zoolander

Dear Evan Hansen

Our Town

Jurrasic Park

Harry Potter

Little Miss Sunshine

The Muppet Movie
Kermit

Home Alone

The Incredibles
The Breakfast Club
Kung Fu Panda

The Goonies

A Little Princess
Alice...
Cynthia
Dirty Dancing
Election
The Fault in
our Stars
Freaky Friday
Freaky Friday II
Freaky Friday III
Ali
AIIister
Dr Gibbs
Craig
Dr Who I
Dr Who II
E.T.
Ferris Bueller
George Gibbs
Ghostbusters
How to Train Your Dragon
Faith
Glee
Juliet
Katy
Melissa
Mrs Webb
It's A Wonderful Life
Jed
Les Mis
Mr Webb
Perks/Wallflower
My Fair Lady
The Notebook
The Piano
The Princess Diaries
   Pretty Little Liars
Pirates...
Titans I
Titans II
Schroeder
Shawn
Sharon
Shawshank
Redemption
TheWizardOfOz

West Side Story

Can;t Hardly Wait

Addams Family Values

The Big Lebowski
The Breakfast Club
The Sandlot
Bridesmaids
Heathers
The Club

Alice in Wonderland

Pirates...

Cheers- Diane

Charlotte's Web

Mean Girls
Tuck Everlasting
Our Town

Waiting for Guffman

Pride and Prejudice

Teddy

If you have made it this far congratulations, you now get to see my top three tips for getting into plays that you audition for. I am speaking from a director's perspective. Here is what we want:
1. WE WANT TO SEE SOMETHING DIFFERENT!. Remember that director's see many, many auditions, Often more than 100 in two days. What are you going to do to set yourself apart? To make the director remember you? Maybe it's a prop, maybe it's a costume, maybe it's a change of your voice. If you don't consider how your monologue is going to be different from every other person auditioning, why should the director cast you?
2. VOICE MUST BE A STRENGTH- I cannot cast you if I cannot hear you. Be bold. I've never had to tell someone to be quieter on stage. You're never as loud as you think you are. You need to practice projecting from the diaphragm when you rehearse your monologue. Also, voice is such a tool for characterization. If you're brave enough to try changing the sound of your natural voice to fit the character and I can hear you when you do it, your chances of being cast are 90%.
3. ACTING IS MORE THAN MEMORIZING WORDS- Most young actors think that they are ready when they are memorized. That memorizing is the end of the process of preparing a monologue. They are wrong. Getting off-book should be the first hurdle you clear, not the last. How can you make any acting choices if you're only thinking of the words? It's not about saying the words, it's about HOW you say the words. Are you conveying emotions the character is feeling? Have you even thought about how the character is feeling? What does your character want? What happens if they don't get it? Look at Stella Adler's nine questions for your character and answer all of them. Don't do the minimum, try to feel what it would be like if you found yourself in the situation your character is in. Rehearse a lot, before you go to sleep especially. And remember, it's fun to pretend to be someone else for a little while. Fun. If it becomes too stressful remember that it must be enjoyable first. And break a leg, I know you're going to do great!


Mr. Rehm
 

Harry Potter

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